Original source: https://ambrosiaforheads.com/2019/05/injury-reserve-album-songs-freddie-gibbs/
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Contemporaries such as BROCKHAMPTON and JPEGMAFIA decide to go complete abrasive or melodic, while Injury Reserve remains within their own spectrum, educated by DIY Punk ethos, experimentation, and creative control. In the last couple of decades, they have released the charged-up, nevertheless still profoundly saddened Floss, along with the darkly Electronic-tinged EP, Push It Like It Is Stolen. But this week, the triple-threat of all both rappers Stepa J. Groggs along with Ritchie Having a T, also producer Parker Corey, create their studio debut a suitable introduction into the peak of their careers so far.
Injury Reserve is an album filled with character and thoughtfulness, although equally Groggs and Ritchie give off a level of humble unassuming raps that find common ground with Small Brother 15 years ago. Parker Corey’s production is tight-knit and different, and is on display with all the Freddie Gibb-assisted monitor”Wax On.” The beat is spacey, but controlled using a twinkle and a concise rhythm which Groggs and Gibbs tear. Groggs details his achievement with Injury Reserve so far, along with the pressures that hinder his life outside of rap:”Gotten fewer checks since I got the blue one / So please inform me what exactly the f*ck that verifies / Twitter feeds do not feed my daughter / If I could sell that mothaf*cka / I would cash it Cop a crib in Santa Cruz / never watch my ass again. ” Gibbs chooses the song’s second verse with a flow that kicks up into double-time:'”‘Freddie, you fallin’ off,’ b*tch, I devised this sh*t, they can not f*ck with the Kane / Sh*t simply be poppin’ off, Straight from Gary using ni**as that would kill you for celebrity / Rippin’ this water off, crack at the back of the’Lac, I am a hit me blot / They call the law, ” I can’t go back to the jail, I’ll go out in a blaze”
Injury Reserve is outside today, through Loma Vista and Kyambo”Hip Hop” Joshua’s new label, Seneca Village Recordings.
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On”Rap Song Terminology,” the team breaks down the fundamentals of writing a rap tune, but build each piece via an Injury Reserve filter. In between a computerized voice providing Rap classes, Parker lays the groundwork for Ritchie to spit :”New chores, yeah,’New Freezer’ / / Sh*t, new ni**a, you can tell with my demeanor / I’m just thinkin’ ahead, stackin’ huge boy fries / cracked arm once the size on several Hellboy sh*t / My son begging’ want his gadgets also, on some’Elroy’ sh*t / And he will be workin’ for that tool on some bellboy sh*t / I’ll be drape-draped up like Joaquin at’Her’ / Baby, throw some threes on, therefore they do not believe I defer. ”
Groggs reflects on his reign with all basketball bridging into Hip-Hop just over Parker’s showy Jazz loop:”I had been beg na become a hooper but I wasn’t that good /’d the doubt I would see dubs with a board of timber / Could not inform me that I wasn’t on some king sh*t / But I’d no J’s so it actually did not imply sh*t, yeah / Sorry unc’, you spent your money on these headphones / But we both knew I never had an opportunity, let us keep it a dollar / Just Much like Ray in his rookie season, I then discovered somethin’ I had been great at, somethin’ that I believed in.
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Photograph provided by Injury Reserve.
The culmination of all Injury Reserve so far ends the album off to a high-note of peak Jazz-Rap with”Three Man Weave.” Ritchie strikes us with a addicting hook comparing their rap careers now to basketball, also departing Hip-Hop elitism for a love of the game:”That remind a ni**a of high school, no consequences for its sh*t I really do / Check it, yo, My biggest worries were missin’ a free throw / Now mepersonally, Groggs and P doin’ the three man weave, even though / Well, I personally was overly pretentious for some Migos, Then Phonte chose a song with Lil B, though / Check it, yo, sh*t altered, that is some sh*t we know / Today me, Groggs and P doin’ the three man weave, however.
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Ritchie steps up for the trail’s second verse with a chemical rhyme scheme:”SeemeI hooped a little but, sh*t, I had been JVin’, In rap parallels, I had been like Russ adequate / Plus if it was now I would prolly get kicked for kneelin’, also sh*t they would not trip it is not like these n*ggas would desire me / Now that the big three outside here three man weavin’ Seven seconds or less, Mari’,’Mare and Steven, / All wax, want plaques or some other achievin’, You can hold all that comments, we don’t want it, what is up?
Tempe, Arizona Rap trio Injury Reserve formed in 2013, but it wasn’t until the launch of the 2015 mixtape Live By The Dentist Office that the team started turning heads. Their use of irregular spazz-out vocal tendencies , eclectic selection of guest features, and samples helped push a signature sound that, naturally and with time, became described .
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